Author: Sandy Cash

  • A Stellar Video of My Song – by Christine Lavin

    Published in the Times of Israel, June 2020:

    Local folk singer pens ode to female astronomer

    Sandy Cash combines her scientific and songwriting skills, earning recognition from fans around the globe

    by Jessica Steinberg

    See the original article here.

    See the video of “More Than Meets the Eye” here:

    As a folk singer, songwriter, science writer and sometime actor, veteran American immigrant Sandy Cash often brings all her worlds together, but one of her most recent songs offered a particular stellar connection.

    The song, “More than Meets the Eye,” tells the story of Jewish astrophysicist Vera Rubin, who overcame anti-female bias to become one of the world’s most influential astronomers.

    “During her lifetime, Vera won every prize in the book — including one from the Weizmann Institute of Science, where I work,” said Cash.

    Cash, a science writer at the Weizmann Institute, was inspired to write the tune about Rubin when she went to interview an institute astronomer about his efforts to detect dark matter.

    “He said that Vera Rubin was the one to look at the sky and see that something was missing and that something else was holding stars together,” said Cash.

    Rubin’s story was one of perseverance and dedication; she consistently fought against sexism in order to continue her studies and research, ultimately making major discoveries in the world of astronomy.

    Cash made the song the title track to her latest album of the same name.

    It’s a song that tells Rubin’s story, as well as translating the complex concepts into something that people can understand, a particular knack of Cash’s as a songwriter and science writer.

    “I look for science topics that have human drama,” said Cash, “then it reaches peoples’ hearts.”

    Cash then sent the song to folk singer Christine Lavin, a favorite performer for Cash and a role model as well, for Lavin’s lyrics and style have long inspired Cash as a folk singer.

    The email that Cash sent wasn’t a blind stab in the dark, however.

    Folk singer Christine Lavin, who loved Sandy Cash’s song about astronomer Vera Rubin, and made a video to accompany her music (Courtesy Christine Lavin)

    Cash has listened and sung Lavin’s songs for years, ever since her first folk club performance in 1986 in Tel Aviv, when she sang one of Lavin’s songs.

    But she also spent some time with Lavin a few years ago when the singer came to Israel to perform at the Jacob’s Ladder winter festival.

    At the end of the weekend, the festival organizer asked Cash to put Lavin up for the night, before she went to the airport the next day.

    The two jammed together in Cash’s living room, bonding over their joint interests in music and popular science.

    A few years later, when Cash wrote the Vera song, she thought of Lavin, a fellow popular lover of science who has also written about astrophysics.

    “I knew that this was up her alley,” said Cash.

    She was right. Lavin decided to help Cash make a video, and sent the song around as well.

    “When a singer/songwriter like Sandy Cash puts her talents to work shining a spotlight on someone deserving like Vera Rubin, the ripple effect is very positive and ripples for a very long time,” wrote Christine Lavin in an email to The Times of Israel. “I’m sure years from now some budding scientist will remember it as one of the reasons why he or she got interested in Astronomy in the first place.”

    Lavin has her own lifelong love of astrophysics, recounted in several songs of her own (consider “Planet X”), and beloved by scientists such as famed astrophysicist Neil deGrasse Tyson.

    The famed folk singer said that Cash’s music “was so good” and the subject — women in science — so important, that Lavin had to help put the song into visual terms, in other words, the video.

    Cash said she couldn’t be more thankful.

    “The video keeps people engaged as if it were a performance,” said Cash. “It’s so much harder these days when we don’t have performances; it’s just hard to know if you’re reaching people.”

    There was more. Another scientist at the Weizmann Institute heard the song and told Cash that, serendipitously, the most advanced telescope observatory in the world was just renamed the Vera Rubin Observatory.

    Cash sent her song to the observatory and a few weeks later received an email from Zan Rubin, Vera Rubin’s grandson.

    “Songs just travel,” she said. “The song business has changed, we don’t sell songs anymore and you can’t have concerts so my goal is to get my songs into as many hands as possible.

  • From “The Other Woman”

    I recently played out my musical conflicts on stage, in a new cabaret that mixes folk music performance with my other great love: the musical theater.

    Accompanied by Haim Tukachinsky on piano (when I wasn’t playing my guitar), “The Other Woman” was a vocal and dramatic stretch for me… and, it seems, a delight for the audience.

    Here are a couple of videos from that first evening in Jerusalem.

     

     

     

     

     

     

    https://www.youtube.com/watch?v=Oozr6ran45Y&feature=youtu.be

     

     

     

     

     

    https://www.youtube.com/watch?v=-1Szdgh9cys&feature=youtu.be

  • The Power of Two

    For years, I’ve been living a double life.  Mild-mannered, coffeehouse-frequenting folksinger on the one hand, stark-raving Drama Queen of the musical stage on the other.

    In isolation, both genres pack a powerful entertainment punch. But what would happen if I put folk music and musical theater together? That’s what I’ve set out to discover in my all-new solo show: The Other Woman.

     

     

     

     

     

     

    In The Other Woman, you’ll have a chance to see me strut my stuff in all its double-dipping glory. A cabaret of dramatic songs both from modern musical theater and the contemporary singer-songwriter scene – plus a few I wrote myself – this show allows me to introduce you to some great characters you’ve never met before … and revisit some others (like Diana in “Next to Normal” and Anna in “The King and I”) that I’ve been lucky enough to play in the past.

    Accompanying me on piano (when I’m not playing guitar) will be Haim Tukachinsky.

    The Other Woman premiers on Wednesday, March 9th, at 8:00 PM at the Jerusalem AACI. Tickets are 40 NIS, or just 30 if you’re an AACI member.  Reserve tickets by calling the AACI office at 02-566-1181 or sending an email to: [email protected]

  • Next to Normal – Aren’t We All?

    As a musical-theater-loving American who moved to Israel in her mid-20s, my mind is a cultural time-capsule – full of the song-and-dance extravaganzas that made headlines back when I was a student. This nostalgic mindset isn’t mine alone – it also characterizes Israel’s many English-language theater groups, who regularly choose to mount productions of shows that rose to popularity 30, 40, and even 50 years ago.

    This year, J-Town Productions – a studio theater that performs out of the Jerusalem AACI – has decided to get modern, and present one of the most celebrated musicals (so far) of the  twenty-first century: Tom Kitt and Brian Yorkey’s “Next To Normal”.

    I am proud to be part of this, and invite you all to mark your calendars for the opening night on October twenty first. The show runs until November seventh.

    Here’s a video from one of our recent rehearsals, featuring Evan Kent (in the role of Dan), Tal Schwerd (in the role of Natalie), and myself:

     

     

     

     

     

     

     

    In “Next to Normal” I play Diana Goodman, a woman struggling with mental illness and its treatment.

    If this doesn’t sound like a toe-tapping subject, you’re right… “Next to Normal” is a musical drama with a a rock-opera sensibility, complex characters, and a grab-you-by-the-throat story to tell.  But in the grand tradition of Broadway, “Next to Normal” is also a redemptive story of the power of love.  Because when things get really crazy, being “close enough to normal to get by” can be the biggest victory of all.

    “Next to Normal” was awarded the 2010 Pulitzer Prize – one of only eight musicals ever to do so.  It also won three Tony awards, including Best Actress in a Musical for Alice Ripley, who created the role of Diana Goodman – the part I am now taking on.

     

     

     

     

     

     

     

    I must admit, being cast as Diana is the fulfillment of a dream – the part has been on my “bucket list” of MAD (Middle Aged Diva) roles for quite some time now.  Moreover, the part pushes me out of my comfort zone, to the very edge of my vocal and dramatic abilities. But I “hold it all together” – as the show’s opening song puts it – with the help of a stellar cast and a great directorial team.

    “Next to Normal” is a small show – the cast consists of just six actors – but it has had a huge impact on the kinds of stories that can be presented in a musical theater setting. I am thrilled to have the chance to live inside that story for ten whole performances between October 21st and November 7th. Don’t miss it. Book tickets by calling the AACI office at 02-566-1181 or visit www.aaci.org.il.

    All the details are in the poster below.  Click on the image to enlarge.

     

     

     

     

     

  • Israel Hayom Interview – The Politics of Folk Music

    Thanks, Steve Ganot, for hosting me in the Israel Hayom studio!

    What is the place of American-style folk music in Israel? • Does the music carry a political message? • Singer-songwriter Sandy Cash speaks with editor Steve Ganot about the folk music scene in Israel and abroad.

    WATCH: Folk music takes on the Middle East ‎

  • Influence and Inspiration: 3 Songs I Wish I Had Written

    I’ve always been a word person.  Don’t get me wrong – I love a beautiful melody as much as the next person, but if a song doesn’t tell a story, well… it’s generally in one ear and out the other.

    My idea of an excellent song is one that keeps listeners on the edge of their seats, wondering what’s going to happen next.  When I hear a number in which every phrase draws you closer to the answer, but doesn’t give it away until the very last moment (or sometimes not at all), I take my hat off to the writer.  That’s artistry.

    So here are three songs I wish I had written.  For three very different reasons.

    The “Important Issue” Song

    Ever since he burst onto the folk music scene in the 1960s, Tom Paxton has been known as an entertaining and enormously intelligent songwriter. Many of his compositions have become folk classics, while others – what he calls “short shelf-life” songs – bring light-hearted humor to the issues of the day.

    But when Tom Paxton wants to tell a serious story, nobody does it better.  With a driving beat, Johnny Got a Gun walks us through the day in the life of an innocent child, and shows – not tells – how the easy availability of firearms puts all of society at risk.

    The “Hey, That’s About Me” Song

    Pete Morton might not be a household name, but for my money, he’s one of the best performing songwriters out there.  I was lucky enough to share some shows with him when he swung throughIsrael on his travels, and was always struck by the emotional intensity of his lyrics.  As I once told him after a performance, “Pete, when you play, you’re not wearing your heart on your sleeve.  Your heart is leaping out of your chest.”

    The Busker’s Song is my favorite Pete Morton song because it explores questions I’ve been asking myself for years.  Should I really be doing what I do – staying at home, raising my children and holding down a job, while making as much music as I can as time permits?  Or should I have given myself over to art, and taken the chance of becoming what Pete calls a “jetlagged rambler … in freedom’s chains”?

    In this word-heavy song, full of warmth and wisdom, Pete tells me not to worry: both choices, like this world, are full of “so many wonders.”

    The “Can’t Wait to Perform That One” Song

     I love performing comedy.  Ever since I first ventured out onto a local folk club stage doing what amounted to a really good imitation of the then little-known, hilarious folk diva, Christine Lavin, I’ve been hooked on using my voice, guitar and stage presence to make audiences laugh.

    That’s why from the moment I heard Deirdre Flint’s fabulous Bridesmaid’s Dress Song

    I knew this was one I had to commit to memory and stuff (like a too-tight satin corset) into my concert repertoire.  In fact, I recorded it, adding it to the line up on my 2012 CD, Voices from the Other Side.

    Bridesmaid’s Dress is a shaggy-dog tale of epic proportions.  Go.  Look it up.  You’ll love it.

    If you ever hear me perform this one, you may wonder how I managed to memorize all those words.

    But I told you.  Words are what I do.

     

  • Romancing my Dentist in “A Little Night Music”

    It’s just a week until the opening night of  “A Little Night Music” – Stephen Sondheim’s wonderful musical about love won, lost, and temporarily misplaced.

    I play the “One and Only” Desiree Armfelt, an actress.  My temporarily mis-placed love is the lawyer Fredrick Egerman played by my friend and real-life dentist, Dr. Howard Metz (hey, it’s amateur theatre!).

    In honor meeting Dr. Metz away from his office chair, I’m sharing this old song.  Just substitute “Roger Wingtip is…” with “Howie Metz he is…” and you’ll understand what I’ve been going through.

    Root Canal of the Heart – by Camille West

  • TLV1 – A Radio Interview from my Old Stomping Grounds

    When I first moved to Israel, I lived in Tel Aviv, where I shared a number of cheap rental apartments in the bohemian “Shenkin” area.  One of my first ventures to the city, however, brought me to Kikar HaMedina (literally, “The Country’s Square” even though it surrounds a large, circular park).

    Kikar HaMedina is the swankest address in an already swank part of town, where opulent apartment buildings rise above a ring of flagship stores for Israel’s top fashion designers.

    Needless to say, I didn’t come back often.

    But recently, I was called to the area to give an interview on “Weekend Edition” – a cultural affairs show for the English-language independent radio station TLV1.  Take a listen here or at the link below… I think you’ll like it.

    http://tlv1.fm/entertainment-lifestyle/weekend-edition/2014/06/22/person-of-the-week-sandy-cash-walks-the-line/

  • Battling BDS – When the Call for Boycott Hits Home

    Good news: a musician friend — a recognized name in the singer-songwriter world, but let’s just call him “David” — is considering a concert tour in my home country of Israel.

    Bad news: as soon as word got out, David was contacted (or you might say, targeted) by an anti-Israel activist:

            Please, please, please don’t do a tour in Israel. Palestinian civil society has requested that the global community honor BDS, (boycott, divestment, sanctions). Touring Israel with that request in place is like crossing a picket line. Please don’t do it.

    Quite taken aback, David turned to me for advice, saying:

           My initial feeling is always that there’s more to be gained be getting together than by staying away…that’s the folksinger in me, and having dialogues is always more progressive than more polarization…but I really need to understand more here.

    I knew I liked that guy.

    David’s interlocutor, a musician and self-professed “former Zionist”, pressed his case by sharing a music-and-talk video he produced a few years ago. Personally, I consider this video a noxious collection of half-truths – in short, an artistic “contribution” to the rich literature of anti-Israel propaganda.

    But the only way my readers will understand my response is to see it for themselves. So, with some hesitation, I link to it here.

    The following is my response to David. It’s long. It’s detailed. And – I believe – it’s important.

    ====================

    Good to hear from you, and good to hear you’re keeping busy, while still entertaining thoughts of entertaining us. We’ll be the better for it.

    Your acquaintance Rich’s viewpoint is something I recognize and know well from the far left of Israel’s political spectrum – a small, but vocal sub-group of the Israeli body politic that includes a number of NGOs, as well as political parties in Israel’s parliament (the Knesset). As someone who’s lucky enough to live in a democracy, I recognize the right of these people – Jews, Arabs, Bedouin, and Druse – to speak out for their political beliefs.

    What I have a problem with is what I see in Rich’s statement (as well as his song): a tendency to make wild accusations, while avoiding mention of any context whatsoever. Because after all – and this is what we see here – if there’s no context, the death of Palestinians can be presented as the result of some nihilistic, or Nazi-like Israeli shooting spree, rather than what it is: the tragic result of warfare that has been forced upon Israel by its enemies.

    So I’d like to point out just a few places where this lack of context does a disservice to the complexity that is Israeli-Arab conflict. By doing so, Rich is doing a disservice to everyone – Israelis and Palestinians alike – who really desires peace.

    There’s a lot of specific material in Rich’s video that I consider ill-informed (absolutely) and mendacious (probably). However, before I present a my views, I want to emphasize something: If Rich has a friend whose daughter was killed by Israeli gunfire, I have nothing but sympathy for him, and for his friend. Of course this is a tragedy; every child is precious. Like every Israeli, I can understand how this tragedy can deeply influence his thinking.

    Because this kind of thing happened to me, too. Almost everyone I know has some connection to a family that has been ripped apart by Palestinian terror.

    My friends the Viflics – former owners of our local Chinese restaurant — had two children. A few years ago, their 16-year-old son Daniel went down south to visit his grandmother, who lived in one of the Jewish towns near the Gaza strip.

     

     

     

     

     

     

    Some background: This is the area from which Israel, in 2005, unilaterally pulled out all 9,000 or so Jewish residents who had lived there for over thirty years. Israel razed Jewish buildings and synagogues, and even disinterred Jewish graves for reburial. The area’s high-tech greenhouses were purchased by EU and American donors so they could be given to the Palestinians of Gaza. But these same facilities were destroyed by the Palestinians themselves as part of a post-withdrawal “victory” party.

    While the motivation behind the Gaza “disengagement” was to improve Israeli security – protecting Gaza’s Jewish residents from constant attacks was very difficult, and cost both civilian lives and the lives of too many soldiers – the result was the creation of what was essentially the first independent Palestinian state. This state was initially entrusted to the leaders of the PA, or Palestinian Authority (the same leaders now conducting negotiations with Israel). Soon, however, the PA was overthrown by Hamas, a Muslim Brotherhood-affiliated group funded by Iran whose charter (link here) calls for the destruction of Israel (see the preamble), and for the murder of Jews all over the world (Article 7).

    But back to my friends’ son. The grandmother’s friend was a school bus driver, and the Daniel decided to tag along on the end-of-the-day drop off. After dropping off the last young child (thank Gd), the bus – a yellow school bus, clearly marked – was targeted by an anti-tank missile. Anti-tank missiles are designed to be aimed, and the terrorists decided to aim this one at innocent children. The driver escaped with serious wounds. Daniel was killed.

     

     

     

     

     

    And therein, David, lies the whole story. I don’t know the circumstances of the death of that Palestinian family’s daughter. But I do know that – while Palestinian culture lionizes terrorists who kill Jewish civilians (palwatch.org, linked here, is an indispensible source — direct translations from the state-controlled Palestinian media related to this phenomenon), Israel goes to enormous lengths to safeguard civilian life. During Operation Cast Lead (the first of two major IDF operations designed to slow the relentless firing of missiles), the IDF dropped thousands of warning leaflets, made over 200,000 telephone warnings to Palestinian civilians, aborted missile strikes to prevent civilian casualties, opened a field clinic for Palestinians on the Gaza border, and transferred tons of humanitarian aid during the conflict.

    All because we’re monsters, I guess.

    Saving civilian lives is made more difficult by the fact that Israel’s Arab enemies – Palestinians in Gaza and the West Bank, and Hizbulla in Lebanon – typically fire on Israeli civilian targets while embedded in the heart of a civilian population. This is the “human shield phenomenon” that gives the Palestinian propagandists a ghoulish win-win: If the Palestinians attack, and the Israelis don’t fight back, the Palestinians win. If Israelis do fight back, Palestinian casualties can be used to demonize Israel, and defeat it in the war of public opinion. If this seems like I’m exaggerating, I suggest you take a look at a slide show here.

    The following cartoon also sums up the dilemma:

     

     


     

     

     

     

     

     

     

    I don’t present this cartoon to demonize the Palestinians… many of whom want a peaceful solution as much as I do. Unfortunately, they live in a dictatorship, and are likely to be arrested or killed if they promote compromise – or even dialogue – with the Zionist enemy. Israeli Arabs and Jews who support the same thing are likely to be elected to office.

    Given that, Rich’s outraged cry that “Palestinian children are dying” infuriates me – and fills me with despair – because creates an outrageous catch 22.

    Rich presents the free-floating claim that hundreds of children died because Israel “attacked Gaza.” No context. No mention of Hamas gunmen firing their rockets from inside school grounds, and storing their missiles in the basements of hospitals. No mention of the thousands of rockets that pounded Israeli civilian communities for years, leading up to Israel’s much-delayed decision to protect its people.

    I’ve written a song about that myself (youtube link).

    And this is not just history. To this very day, civilians in cities just a few dozen kilometers away from my home are forced to live in constant fear, with just 15 seconds to run for concrete shelters (conveniently placed at regular intervals along city streets and near playgrounds). An entire generation of Israeli children is growing up with PTSD, and other serious anxiety-related disorders. Israel has invested in high-tech anti-rocket systems, civil defense training and bomb shelters. The Palestinians – the largest per capita recipients of foreign aid in the world — have invested their in weaponry, and in strengthening the terror infrastructure.

    Rich claims – with great passion and evident personal pain – that Israel murders children because they are trapped in a warped Zionist ideology. But he played piano bar somewhere in Israel for a short period of time (and apparently made some friends among the anti-Zionist community). I’ve lived here for 30 years. Come Tuesday, I will have two sons in the army, and my 54 year old husband, who served for four years, is still called up annually for the reserves. I agree with Rich that Israel is trapped – forced defend itself because of the Palestinian’s refusal to accept the legitimacy of a Jewish State in the Middle East, no matter what its borders.

    But I’m proud that we haven’t lost hope. We don’t give up on peace, and have taken remarkable risks to pursue it. Israel pulled out of Gaza in 2005, declared its support for a Palestinian State that is willing to live side-by-side in peace with Israel, and made repeated offers to pull out most of the West Bank to make that happen – despite the dangerous ramifications. The majority of Israel’s electorate (that’s Jews as well as its 20% of the population who are Arab), believe that territorial compromise is the way to go. But while Israel offered the Palestinians a state of their own three separate times (details here if you’re interested), these offers were rejected out of hand.

    This leads me to the BDS (Boycott, Divest, and Sanction) movement, in whose name Rich begs you to stay away. BDS fancies itself as a human rights group. But it calls for:

    1. The expulsion of all Jews from a Palestinian State in the West bank.

    2. The “right of return” of millions of descendants of Palestinian refugees to the rump state of Israel, where they will have full democratic rights to vote – and cancel the Jewish nature of the one Jewish state in the world.

    What’s the upshot?

    Peace is our goal, but it takes two to tango. If the Palestinians insist that 1.) a Palestinian state on the West Bank may not include a single Jew, and 2.) millions of Arabs will never give up their “right” to take up residency and citizenship in the rump state of Israel, then – there you have it. That’s not a “two state solution” aimed at ending the conflict. That’s the destruction of the Jewish State of Israel by other means.

    There’s much more I could say, but I’ve gone on too long already. I believe that Israel has the right to exist as a Jewish state – both because of the Jewish people’s historical and religious roots in this land, and because it was granted the right to be reborn as a modern nation state by international law. The Arabs were offered a state of their own at the very same time, in the United Nation’s 1947 partition plan. The surrounding Arab countries all chose war instead of peace, and they’ve been doing so ever since. I sincerely hope they change their minds, and accept the legitimacy of Zionism – the national liberation of the Jewish people.

    I also hope – and this is *really* utopian – that they come to appreciate the pluralistic and liberal culture of Israel, the only place in the middle east that ensures human, civil and religious rights for all its citizens, irrespective of ethnicity, race, gender or sexual orientation.

    I wish you luck on all your activities… the CD, the touring, keeping your household together. And I really hope you come to visit us.

    – Sandy

  • My 2014 US Tour – In the News

    As an independent musician, it’s up to me to promote my own shows (with a lot of help from my friends!). So I was pleased to see that my performances garnered some press, as well as an extended radio interview.

    First to hit the news stands was this piece by Michelle Mills, features writer for the Los Angeles Newspaper Group. This piece appeared in local papers all over town, and helped fill the audience at Altadena’s Coffee Gallery Backstage.

    “The great and exciting thing about narrative songwriting is that it activates the imagination. The audience has to follow the story as it unfolds,” Cash said. “The greatest moment of connection with the audience for me is when I see in their eyes that they are thinking. I like to make people think.”

    Other than the headline that claims I am a “former rabbi” (not!) it’s a great article.  You can read the whole thing here.

    A Flint, Michigan radio show also invited me to do a studio interview. Tom Sumner of WFNT is a musician, who also hosts a political talk show…a perfect combination for me! I was able to share a few of my songs while having a relaxed format (an entire hour) to answer questions about life in Israel.

    Lastly, the Detroit Jewish News made my mom very happy by running this article to promote my shows in Ann Arbor, Flint, West Bloomfield and Troy, Michigan.  It even includes a mention of her grandchildren!

     

    Larger image here.

  • Can We Agree on One Thing?

    We Jews are great at coming together in response to external threats. Dealing with internal divisions — well, that’s something else entirely.

    Right or left, traditional or secular, Zionist or anti-Zionist (and everything in between), Jews have strong beliefs and we’re not afraid to use ’em. But can we all stop, take a deep breath, and remember when…?

    A new song, offered in the spirit of unity.  Video link here.

     

     

     

     

     

     

    Golden Chain (We’ll Stand Together Again) © Sandy Cash, 2014

    Go and talk about history, talk about the tribe

    Go and talk about the miracle that we are still alive

    Go and talk about the law, talk about religion

    Go and talk that talk – but don’t forget to listen

     

    Some live by the rules, some follow their heart

    But deep in side us is the very same spark

    The fire on the mountain that we shared that day

    Warms different hearts in different ways

     

    CHORUS

    Link to link in a golden chain

    We stood together at Sinai

    We’ll stand together again

     

    Family ties, our sisters and brothers

    Get hurt as we struggle one against the other

    Bound by tradition or bound to live free

    I’m a part of you, and you’re a part of me.

     

    An ancient people from an ancient land

    Drawing such different lines in the sand

    Building walls so high they cannot be crossed

    Cutting us off from all the love we’ve lost

    CHORUS

    We’re together on a journey this world to perfect

    From the valley of suspicion to the mountain of respect

    Torn apart and scattered to all four winds

    Can we walk it back to where we were back then?

     

     

     

     

     

     

     

     

  • A Musical Editorial

    The “Times of Israel” recently picked up a song from “Voices From the Other Side” as a “top op” (op/ed) to share with their readers. This song is a dark satire about the State of Israel’s ongoing struggle with Western public opinion. Audio and video at the link:

    Song of Zion

    The struggle goes on. Today (December 29th, 2013), four katushya rockets were fired into Northern Israel from Lebanon. Last week, a couple of other rockets were launched at us from Gaza in the south. Also last week, a bomb placed on a bus (we haven’t had one of those for a while, thank Gd) miraculously missed its target because an alert driver — who saw the suspicious package — ferried his passengers off onto the sidewalk before the thing exploded, blowing out windows and mangling the bus frame. And in the good news department, a policeman stabbed in the back in east Jerusalem woke up… it looks like he’s going to be fine.

    Didn’t hear about any of these attacks? No matter. You’ll hear plenty of reports when Israel responds.

  • The King and I – Thanks for the Memories (and Melodies)

    I’m still floating from the experience of playing the role of a lifetime: Anna in the Jerusalem production of Rogers and Hammerstein’s “The King and I.”  Jerusalem Post columnist Liat Collins was one of the many, many people who came out to see one of our six performances, and — in an article devoted to other issues — she was inspired to declare us “amateur but accomplished.”

    Ahem. I cannot pretend to be objective, but I believe that our cast of 30 was, as the song goes, “Something Wonderful.”  Here are some memories — and pictures — to share.

     

     

     

     

     

     

    Without a doubt, the best “take away” from this production was the warm, family feeling that developed among the cast members. There were far more kids than adults in the show, and all that hard work was more than paid back by the hugs I got at most every rehearsal.  The three taller girls seen here are Shalev Haddad, Noa Kaufman and Maayan Baily — all veteran dance students whose skills were put to beautiful use throughout the show — and 10-year-old Pnina Falk, in red, has already performed in several plays.

     

     

     

     

     

     

     

    Speaking of children, meet my on-stage son!  The part of Louis was played by Elan Mauer, a wonderful singer and performer, who, it turns out, once performed with my real-life son in a local production of “The Wizard of Oz.”

     

     

     

     

     

     

     

    Here’s me, playing schoolmistress to the whole crew.

     

     

     

     

     

     

     

    And of course, there’s no King and I without the King.  Zvi Goldfeld is wonderful singer/actor, and a sweetheart of a man who had quite a challenge transforming himself into the tough and forbidding King who eventually steals Anna’s heart (though she would never admit it for a minute of course!).  But in matters of the heart, actions speak louder than words…

     

     

     

     

     

     

     

    Shall we dance?  Oh I hope we will again someday… I do hope so!

  • From Folksinger to Musical Theater Royalty – My Journey to “The King and I”

    Barry Davis of the Jerusalem Post wrote a terrific piece leading up to my appearance as Anna in “The King and I.”  Spoiler: this isn’t the first time I’ve performed in a hoop skirt!  Here’s a scan of the article in all its thumbnail-sized glory, but if you want to actually read the fine print, you can catch it online at the link below:

    Cashing In On the ‘King’

  • Hebrew Press Takes Notice

    Remember when Sting sang about being an Englishman in New York?  Well, I’m an American in Israel, and even though more and more Israeli musicians are performing in English, my music is a bit out of the mainstream.

    That’s why it was so nice to see a Hebrew-language publication pick up on my latest disc, and give a positive shout-out.  This appeared in “Hallel” Magazine:

     

     

     

     

     

     

    Translation: “Sandy Cash made aliya from the USA, but she’s 100% Israeli. She had put out three albums in English, and now has produced a fourth – VOICES FROM THE OTHER SIDE.  In stories, drama and humor, she describes the Israeli-Arab conflict, her experience as a new immigrant and as an Israeli, and of course also talks about love.  In these days where there’s a war for public opinion, Sandy is a faithful ambassador for Israel, and it’s time that Hebrew speakers should know about her.”

     

  • A Review to Write Home About

    When Norm Mast, co-host of The Back Porch radio show broadcasting out of Indiana, named my new disc one of the best of 2012, I thought I couldn’t be more pleased.  But I am. He just wrote to tell me WHY.  And I quote…

    Hi Sandy,

    Al Kniola forwarded your email to me re: our pick of Voices as one of our Best of 2012 selections. You asked why or what made this CD stand out for me?
    For starters when I receive a CD from a new name I am always curious to hear what the music is about. You did not disappoint me with Voices! The clarity of the recording, the simple yet honest songs drew me into a closer listening mode, From the very start with the story of Gilad’s Guitar, followed by the gripping story in Banks of Freedom, to Freeze Frame Truth, and then some humor with Free Food Bar ( those of us with children know this all too well!). Numbers….Learning as we Go, the Journey and finally the Bridesmaid Dress song all add up to a presentation that few songwriter/ performers have the ability to pull off. You’ve done that rather well I must say! Music like yours makes me realize what an extreme privilege I have to share the music with my radio audience! You make my ‘job’ fun and exciting!
    Norm Mast
  • “Voices” Named One of 25 Top Folk CDs of 2012

    Time for a happy dance (click “Read More”, then click on the pic to see the animation)!

    DJs Al Kniola and Norm Mast, hosts of WVPE’s “The Back Porch” radio show broadcasting out of Elkhart, Indiana, have named VOICES FROM THE OTHER SIDE as one of the top 25 folkmusic releases of 2012. Thanks, guys!

  • Home Front (Everything’s Alright)

    This is a video of a song I wrote in the afternoon of November 21, just a ceasefire brought Operation Pillar of Defense to a close. We’re all hoping that this ceasefire lasts longer than the last one… the agreement sounds suspiciously like the one made at the end of Operation Cast Lead four years ago.

    By the way, this was my first-ever homemade video created using the camera on my computer.

  • Music and Activism – My Double Life Revealed in “Israelity”

    Israelity is a blog that focuses on “the reality of daily life in Israel.” Daily life here has been difficult lately, with Hamas rockets putting the lives of literally half of Israel’s population in danger. This recent blog post talks both about my music, and how I make it my business to speak out for my country.

  • “Voices From the Other Side” and the Sandy Joke That Won’t Go Away

    The Jerusalem Post just ran a terrific feature article on me, and a review of “Voices From the Other Side.” With so many nice things to say, did they have to choose a headline that connected me with the superstorm that hit the northeast United States?

    http://www.jpost.com/ArtsAndCulture/Music/Article.aspx?id=290930